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Christina Steads novels have been translated into a number of languages, mainly European ones. I know of twelve such translations, five into Italian, three into French, two into German, and one int...
There has been no scholarly attention directed to Christina Steads representation in her novels of China and the Chinese.1 Indeed, the poet and scholar Ouyang Yu, translator of The Man Who Loved Ch...
Christina Stead was a Marxist who, at times, publicly endorsed Stalinist views on art. Yet her novels do not conform to the rigid paradigms of socialist realism, and they often criticize Marxist cha...
No work of Christina Steads has divided commentary more than The Salzburg Tales. Contemporary reviews were overwhelmingly positive, with the Times Literary Supplement saluting it as evidence of a “...
It is an intriguing feature of Christina Steads novels that her protagonists often produce literary works that are consonant with their character and talents. This is especially notable with her wo...
When Stalin died in 1953, Christina Stead wrote to her brother Gilbert about the great event, “so strange and so close to millions!” She remarked that, though to some Stalin was an “anti-Christ,” “t...
In this essay celebrating Christina Steads Centenary, I first review American Stead scholarship, as I’ve personally participated in it, before performing a close reading of The Little Hotel.1 My ar...
Christina Stead at 100     Australian Literature  100  Christina Stead       2008/10/22
Christina Stead would have turned 100 on 17 July 2002. It is idle—but irresistible—to speculate what kind of occasion Christina might have preferred to celebrate her centenary. Though her husband, ...

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