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Gustave Caillebotte,French Impressionism,and mere exposure
Gustave Caillebotte French Impressionism mere exposure
2015/8/13
Gustave Caillebotte was a painter, a collector of some of his colleagues’ most renowned works, and a major force in the creation of the late 19th century French Impressionist canon. Six studies are pr...
施古德( Gustave Schlegel)
施古德 Gustave Schlegel 中国民间社团 天文学 比较语言学 中国民俗
2010/4/19
Gustave Planche, or The Romantic Side of Classicism(图)
Gustave Planche The Romantic Side Classicism
2009/11/20
Gustave Planche (1808–1857) was the most important and most formidable art and literary critic during the July Monarchy. After joining the staff of La Revue des deux mondes shortly after the beginning...
Interrogating Gustave Moreau's Sphinx: Myth as Artistic Metaphor in the 1864 Salon(图)
Gustave Moreau's Sphinx Myth Artistic Metaphor the 1864 Salon
2009/11/20
Long celebrated as an isolated precursor of late nineteenth-century Symbolist art, Gustave Moreau (1826–1898) has in recent years been firmly situated in his generational context as an aspiring histor...
Recent scholarship, particularly the work of Peter Cooke, has done much to draw attention to Gustave Moreau’s ambitions as a history painter in the French academic tradition, thereby challenging recei...
比利时剧作家,文艺评论家范聚普(Vanzype,Gustave)
比利时 剧作家 文艺评论家
2008/10/10
范聚普(1869~1955)Vanzype,Gustave比利时剧作家,文艺评论家。用法文写作。早期剧作多揭露资本主义社会中金钱的腐蚀作用和家庭的崩溃堕落,如《孩子》、《你的父母》。后期创作偏重于正面宣扬友谊、责任、勇气、无私、乐观等美德,如《阶段》、《关系》、《播种》、《力量》等,具有“观念剧”的特点。他也写文学评论和艺术史。